One Cut of the Dead

Kamera o tomeru na!

Japan - 2018

Directing by: Shin'ichirô Ueda
Writing: Shin'ichirô Ueda
Cinematography: Takeshi Sone
Music: Kyle Nagai
Produced by: Kôji Ichihashi
Cast: Takayuki Hamatsu, Yuzuki Akiyama, Harumi Shuhama, Kazuaki Nagaya…
Distributor: Les films de Tokyo

Tuesday December 04th 2018 10:00 PM

Add to Calendar Tuesday December 04th 2018 10:00 PM Tuesday December 04th 2018 00:00:00 Europe/Paris Ne Coupez Pas ! The filming of a horrific DTV is in full swing in an abandoned factory. Bored technicians, unconcerned actors... only the director seems invested with the necessary energy to give life to yet another budget zombie film. During the preparation of a particularly unpleasant scene, the shooting is disturbed by authentic zombies… Max Linder Panorama

Tuesday December 11th 2018 02:30 PM

Add to Calendar Tuesday December 11th 2018 02:30 PM Tuesday December 11th 2018 16:30:00 Europe/Paris Ne Coupez Pas ! The filming of a horrific DTV is in full swing in an abandoned factory. Bored technicians, unconcerned actors... only the director seems invested with the necessary energy to give life to yet another budget zombie film. During the preparation of a particularly unpleasant scene, the shooting is disturbed by authentic zombies… Max Linder Panorama

Legally restricted to persons over 12

Lenght : 96 min // Ratio : 1.78 // Format : dcp
Language : Japanese // Subtitles : English and french

The filming of a horrific DTV is in full swing in an abandoned factory. Bored technicians, unconcerned actors... only the director seems invested with the necessary energy to give life to yet another budget zombie film. During the preparation of a particularly unpleasant scene, the shooting is disturbed by authentic zombies…

One Cut Of The Dead has everything of a fantastic movie of the 2010s: Japanese direct-to-video film shot in DV, zombies, metaphysical delirium... Shinichiro Ueda skilfully avoids repetition thanks to his narration - better, he bypasses the haughty treatment of his subject by focusing on his characters. His film, already adorned with a halo of cult potential in festivals and in his country of origin, turns out to be a friendly tribute to the artisans of the contemporary B movie scene.